The Road Dance is a powerful movie that can be a bit too theatrical from time to time. But certainly not often enough to hinder the impact it leaves.
The Road Dance is a powerful movie that can be a bit too theatrical from time to time. But certainly not often enough to hinder the impact it leaves.
Where the stakes are high, my interest is moderate to low for Loki season two.
Mixing the heart of Steven Spielberg's A.I. Artificial Intelligence with the action of Neill Blomkamp's District 9, Gareth Edwards brings us The Creator, a film that has a lot going for it but falls short.
Fair Play is a nail-biting social commentary that doesn't lose its edge until the screen cuts to black.
By no means will you experience the film the same way with a large 4K screen in a home theater. You'll think you may have had the same experience, but you'll be robbed of the vast technical mastery you'll get on a 4K digital Imax projection.
Structurally sloppy but emotionally hilarious, Dumb Money is an interesting narrative similar to other films about the market, like The Big Short and Blackberry.
My Big Fat Greek Wedding 3 is like seeing a familiar relative. You enjoy their company and quirks for all they have.
Fremont is not searing, nor is it forgettable. It rests somewhere in between cinematic artistry and familiar Indie film conventions.
Once we get over the fact that the dogs drop the F-bomb constantly, there's not much for Strays to go on.
For a Dracula film, The Last Voyage of the Demeter is a clever take on a beloved horror novel. But is it clever enough to warrant a feature film?
There's enough substance and heart to make GT work as a story, if only a decent one.
Oppenheimer is a master class in film editing and structural design where even at a long three hours, the film feels brisk as it demands your attention.
Your mission, if you choose to accept it, is to follow Mission: Impossible – Dead Reckoning Part One's plot without getting lost in its constant exposition.
Underneath all its zany antics Joy Ride is a comedy about friendship that's heavy-handed in its sappy final moments.
No Hard Feelings is a film with a premise that belongs to another era.
If there's a moral to this review, it's to not listen to George Lucas and leave a character's legacy in a museum.
A humourous but familiar comedy that isn't as clever as it lets out to be.
Despite its original ideas, the film's familiarity hinders its overall quality.
Perfectly entertaining yet mediocre. The Flash is an enjoyable movie that relies on cameos over nuanced emotions.
As soon as the picture roared to its credits, I wanted more.