Bugonia was just an inch away from being one of the year's best pictures. And then the ending happened.
Bugonia was just an inch away from being one of the year's best pictures. And then the ending happened.
Amidst a sea of abysmal adaptations, Guillermo del Toro's depiction of Mary Shelley's Frankenstein is miles better than the competition. Still, that doesn't prevent it from being a little lifeless at times.
During a time of great division, Good Fortune thrives for unity.
This film has changed my mind about Rose Byrne as an actress.
There's a certain gloss to the picture that feels artificial.
It might be through conventional means with a standard look and premise, yet there's something much deeper and more honest with Roofman than your typical romcom.
The whole draw to Tron is the grid, and they almost completely abandon it?
Some of that subtlety gets lost in a picture that lingers on for too long in its brutality and wraps up too quickly with its cheesy finale.
Despite some of the picture's failed intentions, much of it also works.
For a film about emotional immaturity, the film is emotionally immature in and of itself.
Underneath One Battle After Another's audacity is a movie about the dangers of revolution, yet there are glimmers of hope.
Spinal Tap II: The End Continues isn't necessarily a great sequel, but a fairly decent one.
The Long Walk is not based on current-day events. But that doesn't stop history from repeating itself.
The Conjuring: Last Rites may not particularly stand out, especially within a horror genre that has been improving with each passing year. That still doesn't exclude the fact that the movie accomplishes its job of entertaining an audience. Sometimes, that's all you can really ask for. But is it enough?
Aronofsky's keen eye, handling of structure, and Austin Butler's awesome lead performance make what could have been a forgettable thriller memorable.
Although we know from the source material where the Roses will end up, Jay Roach still attempts to create an unexpected comedy filled with high- and low-brow humor.
Eenie Meanie is one of those streaming platform movies that will likely not be remembered ten years from now, let alone on the day it is released. It's not a bad film, just a really mediocre one
Even with a confusing plot and far too much action that could have saved the movie a good 20 minutes if cut, China shows America how you can actually make an animated film.
Everything from the structure to the combat seems rushed through the door in a hastily made sequel that deserves to stay on vacation and out of theaters.
Spike takes a classic movie from across the globe and adapts it into a film that distinctly feels like a Spike Lee Joint. Which, Spike, I respect you, but can you please call it a Spike Lee film?