The conventionality of Lightyear can't go beyond infinity within the feels department.
The conventionality of Lightyear can't go beyond infinity within the feels department.
Life needs to stop finding a way.
Cha Cha Real Smooth feels like a commercial for its lead with not a lot to say in between.
Sprinkle a distracting and forgettable love story in between the tough guy gossip, and you've got Top Gun. God bless America!
There's enough soul to give Top Gun: Maverick that little bit of emotion the original lacked.
The Multiverse is filled with infinite possibilities, one of them including a serviceable film.
Nicolas Cage playing himself, or a twin of himself, or talking about The History of Swear Words because of a compilation video of himself cursing up a storm is well wrapped with a movie that humorously and humanly looks at Nicolas Cage.
Robert Eggers' keen instinct for period pieces once more raises its cinematic, dreamlike accuracy to dramatic feats
The idea of forgiveness is dramatically compelling enough to work as a movie, if just barely.
The themes EEAAO tackles are ambitious. It is not only about reflection/healing but also human behavior.
Deep Water can keep its ship in the era it's from.
Is 2022's iteration of the masked vigilante indeed The best Batman? No, But it's a damn good one.
Filmmakers Channing Tatum and Reid Carolin wear their hearts on their chest in one of my favorite animal movies in a long time.
The Cursed is a monster movie that feels nothing like one.
Uncharted is sellable but not executable for a film with the interactivity removed.
We've come full circle to franchise cannabilism with legacy characters passing the knife to a new generation.
Joel Cohen is making a love letter to Shakespeare that's beautifully told but requires patience from its audience.
American Underdog is as memorable as a can of Coca-Cola from a glass bottle. It's delicious and disposable. For this review, you'll probably not agree with me.