For a Wes Anderson film, this movie is mediocre. As a general comedy, it's a laugh riot that towers above others in its genre. It's not just style over substance. Unfortunately, some of that substance is wrapped in a plot that has too much scheming, even for its title.
There is a profound existentialism to be found in half of the picture, while the other half beats the same point of meaning over the audience's head like a hammer.
Karate Kid: Legends is a lazy, rushed mess that fails to capture the magic the original Karate Kid contained, not to mention Netflix's Cobra Kai.
After Talk to Me and this movie, I'd like to see if the Philippous have something other than a shock fest up their sleeves for the next film. Or are they just a one-trick pony? So far, they've proved me wrong. But not completely.
Jane Austen Wrecked My Life is a movie not only about the love of literature but how our perceptions of such books can complicate our lives.
As a simple, fun movie for children, Lilo & Stitch fits the bill. For adults, it's not worth rewatching.
Stefeni says in the movie, "You don't f**k with Death's plans." Or something like that. She's not lying. Nobody is safe in this movie.
Once the adrenaline has worn off, you might begin to notice just how overly similar MI8 is to all the other films.
The film works so well because it leaves us (or maybe just me) feeling conflicted about Craig.
Sorry, Baby, is a beautiful representation of the power of human connection
Fight or Flight is a B movie starring an A-list actor, and it couldn't have worked any better.
Andrew Goldberg's White with Fear is a multilayered film that brilliantly depicts what's wrong with our country.
The ending isn't only stupid, but it also changes the events from the first film through lazy screenwriting.
After so many stinkers in a row, it's nice to see a Marvel film that ditches the typical villain of the week formula.
It may not be Cronenberg's best work, but it still stands as a memorable picture due to its dark bizarreness.
When initially watching The Legend of Ochi, you can't help but get absorbed in its style.
A good love story makes us understand the reason our characters love each other, or find the chemistry between the characters, not just because it's the name for whoever is supposed to make out on the call sheet.
Instead of making another show with the simple psychology of Empire bad, Rebels good, Tony Gilroy makes a show about the moral gray area of the Rebellion.
Drop isn't a pretentious movie. It's more like a B film with a slightly higher budget and colorful cinematography that's a disappointing bore.
For a flick about being creative, it's unimaginative
