No Ordinary Campaign inspires viewers to act against injustice with peace and prosperity over rage and anguish
No Ordinary Campaign inspires viewers to act against injustice with peace and prosperity over rage and anguish
Some moments of manic levity deliver big laughs, but they're few and far between the slog of a narrative.
Park Chan-wook directs a Korean masterwork of suspense that would make Alfred Hitchcock blush
Steve James offers a human portrait of a man who regrettably worked on the most inhumane known device known to humanity.
Even if David O. Russell doesn't practice what he preaches, it's important to be honest about liking something instead of rejecting oneself from joy.
Nothing Else projects a beautiful, fascinating image of one's self-reliance over mob mentality.
Bros is not just about two guys loving each other but is also a message about existing in a world where we should all be sensitive but not constantly offended.
. Wilde gets the job done for pure entertainment value but at the cost of providing a memorable picture.
Tony Gilroy's Andor isn't drowned in endless action or absolutes. Instead, it deals with the gray area of heroism where Gilroy bothers to ask if our heroes are as good as they seem.
Empowering, action-packed, and overly familiar, The Woman King is a resounding "meh" echoed through the chambers of historical biopics.
It's no secret Hollywood doesn't like to take risks, so why not repackage and resell what folks already liked from 82 years ago?
If you're a John McEnroe fan, you’ll probably love this movie. If you’re a casual like me, you’ll probably agree to disagree with me.
There are many structural options the movie wisely takes in its first act but quickly falls to trite narrative devices when reaching the end of its brief 103-minute runtime.
The giant footsteps of She-Hulk is a flawed but
“Word of mouth has spread, and it is true. Prey is a pleasing blockbuster that is superior to its source material.”
Resurrection is a rare horror film that relies on suspense over jump scares and trauma over gore to dig its nails into the viewer far after the movie finishes.
I think we have the blockbuster surprise of the summer.
Going for something a little lighter than his usual hopelessness, Jordan Peele creates a conventional yet clever alien invasion picture that falls a tad short in driving its points home. Bt
The Gray Man may be proving the Russo's slow descent from relevancy.
Thor: Love and Thunder rests on the middle shelf among many other Marvel pictures that have long left my memory.